Sunday, 30 September 2007

Ukulele Weekend

Last weekend was a big one for TUSC with two gigs and an after party at Steve and Allison's house. It all began at Bishop's Hull Church with a village concert. I put on a small display of ukuleles and we ran through all our TUSC favourites. We also included our version of 'Spider Pig' from the Simpson's film. I videoed the gig and so here are a few of the songs.


'King of the Swingers'




'Ukulele Lady', 'Israelites', 'That's Alright Mama', 'Spider Pig'


On Sunday we played the River Festival in French Weir Park. We were joined on stage by children from local schools, who played their ukuleles and sang with us. It was a wonderful gig and every one had a great time.








We rounded off the weeked with a barrel of Cotleigh 25 and some more strumming at Steve and Allison's house. The end to a perfect ukulele weekend.

BSY
Nipper

More Beer, Ukuleles and a Gibson Martini

The beer and ukuleles post on this blog has sparked much discussion and quite a few emails.

Iso Herquist sent in this great picture.


Ace uke builder and totally top chap, 'Mighty' John Colter sent this picture of his great friend and ukulele confidant, Cosmo Smallpiece. Cosmo is enjoying a beer while strumming one of John's fabulous cigar box ukes. (Picture also features a knee belonging to Ray Shakeshaft of ukuke.co.uk)


Craig Robertson sent in a recipe for the perfect 'Gibson Martini'.

"Whilst I hesitate to diverge from the beer theme...I think there is one very clear occasion where I would take exception with the "beer and ukulele" mating. And that's in the case of the Gibson ukulele.

Two shots of good gin, a whisper of dry vermouth over cracked ice. shake vigorously and pour into a chilled martini glass. add, most importantly, a speared onion. Voila: The Gibson Martini...a wonderment to drink and it makes every strum magical, every note you sing thrush-like!
" (Quote from Uketalk)




And finally Steve (Uke Van Surf) and I didn't quite make it to a beer festival but did manage to play our ukes and drink some great beer at the 'Lamb and Flag'. Steve sent this picture of me, some beer and his Tangi soprano.


BSY
Nipper

Sunday, 9 September 2007

Ukulele Gig in Wellington

Last Friday evening TUSC played for an OAP dinner club in Wellington. Steve's daughter made some short video clips, which I have spliced together. The video quality is not great but it is interesting to see and hear what we are like. Also I just had to post the two ladies dancing to 'Sweet Georgia Brown', they were marvelous.




Needless to say we ended the evening with a few beers in the Constitutional Club.

BSY
Nipper

A Tale Of Two Ukuleles

In the last couple of weeks Mrs Nipper and I have both become the proud owners of bespoke hand built ukuleles. They could not be more different from each other and so this really is a tale of two ukuleles.

First up is Mrs Nipper's Kepasa Soprano made by Kevin Crossett. A few months back Mrs Nipper asked Kevin to make a small bodied soprano and after some deliberation decided she would like something like an old Hawaiian ukulele in the style of Augusto Dias. Kevin designed the 'Madeira' style ukulele to fit her requirements whilst using the best modern building techniques. The resulting instrument is a triumph. It looks incredible, subtle handmade rope binding and stunning koa combine with the creamy spruce top to make a truly beautiful uke.


The headstock has an interesting asymmetric tuning peg arrangement and a design straight from the work table of Dias. The tuners are black and white, as requested by Mrs Nipper, to compliment the rope binding. As you would expect from Kevin the fit and finish is absolutely tip top and demonstrates he is a world class luthier. His ukuleles certainly hold their own with those made by the likes of Dave Means and Joel Eckhaus.



The 'Madeira' is a very playable ukulele and the slim neck sits easily in the hand. Kevin will shape a neck to suit the client and in this case has made a ukulele which is a perfect fit for Mrs Nipper's delicate hands. Despite this it still feels great to play in my much larger hands; again this is down to Kevin's great skill as a luthier. The way the tuners sit leaves plenty of room for the fretting hand and is exactly what Mrs Nipper asked for when ordering this ukulele. The action has been set to allow height to dig in and suits both strumming and finger picking styles. The lightness of the build and slim body make this a ukulele that is easy to hold and comfortable to strum.

As you would expect with a spruce top the 'Madeira' sounded superb right out of the box, a warm, full tone and a nice punch when pushed. The tone is very focused and even; with the short sustain you expect from a soprano. Mrs Nipper can not put this uke down and I have had to wrestle it from her just to get a few minutes playing. This is because the ukulele sounds so good, gently strumming brings forth a beautifully crisp tone which nicely complements singing; push and there is plenty of dynamic and the sound finds a little more bite. When finger picked the tone is full and even with plenty of volume.


So I have written a completely glowing review, surely there must be something, just a tiny hint of criticism to make about this ukulele; well there isn't! I can honestly find no faults with it. This is without doubt an outstanding instrument. It is a joy to look at, play and listen too. The Kepasa 'Maderia' is one of the best ukuleles I have ever played.

I have a Kepasa 'Hollywood' concert which is equally as thrilling a ukulele as the 'Maderia', Craig Robertson performs and records with Kepasa ukuleles, they are the favourite ukuleles of Chris of the 'Ukecast' (he has two and one on order), everyone should own one of Kevin's ukuleles as they are consistently great. My advice is get your order in now as his book will surely be full to bursting before long.

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And now for something completely different........ The 'Ukelectric'. This ukulele is from the first batch of electric concert ukuleles made by Pete Howlett of UK-Ukes. Unlike the 'Madeira' which was created for Mrs Nipper, I only had to choose the top wood and head plate for this ukulele. In fact as the uke will eventually be painted Pete choose the Madrone wood for the top and when I asked for something unusual for the head plate, he went with beautiful burr walnut. The result, even before painting, is a good looking ukulele.

The 'Ukelectric' is constructed like a drop top electric guitar with a solid cedar body, hollowed out to form sound chambers and then a solid top glued in place. Pete has then followed ukulele tradition with a pin bridge and Gibson style headstock. These ukuleles are very competitively priced and so there is no choice about set up or neck profile, but I wasn't disappointed, Pete is a master craftsman and the uke feels great in the hand. Pete must also feel the same way about action as I do, as it is perfect for me!

The fit and finish is incredible for the price, far and away better than you would ever expect. The wood is great and the whole thing sturdy and ready to gig with. The ukulele is surprisingly light for it's solid construction and I was able to play it easily without a strap. The hardware is gold and looks great, however the tuners are grover style copies and not quite as good as the real thing, I would have been happy to pay a few pounds more and get some 'sta-tites'. The position of the lead socket is such that if you want to play in a sitting position you will need a right angle lead, however with a strap or playing standing up there isn't an issue, and I prefer this socket position to the end pin design most often used.

One reason I bought the 'Ukelectric' was to practise late at night without disturbing the family, and for this it is great. It has a quiet acoustic sound which is still loud enough for late night, solo, practicing and is much louder than the Risa 'Ukestick' or 'Ellie'. However this uke was meant to be plugged in and when fed into an amp, it does not disappoint. I tryed it through a number of amps and got a reasonably convicing acoustic tone from my PA and a Boss AD5 acoustic preamp, however you cannot escape that this is an under saddle pickup and so it will never sound like a microphone on an acoustic uke. With this in mind I decided to forget trying to get acoustic tone and concentrate on getting an electric sound that would blend well with other instruments and still work in a solo situation. The uke gives a fairly even response across the strings and sounded good with all the amps I tried, so partly because of the online advice of Gerald Ross and mostly because it runs on batteries, I went for a battery powered Vox DA5. The pairing is good and the amp/uke worked well at TUSC and during a club gig, sounding good with both clean tones and auto wah effect. I like the freedom of battery power but with the 'Ukelectric' a mini amp, except as a headphone pre, is out of the question; with both the Orange Micro Crush and the Mini Marshall the sound is awful and distorts at the lowest volume. The Vox DA5 has five watts of power and a big enough speaker to give clean tones at a reasonable volume. Other than a lack of multiband eq, it is a good companion to Pete's creation.


All the sounds, except for bass and drums, are from the uke. The lead is played through the VoxDA5 with other tones coming from VST effects.

Overall the 'Ukelectric' is an immense amount of fun, but when needed is a serious live musicians instrument. It allows for easy use when a gig demands high gain to cut through other instruments and unlike most of the competition it looks like a proper ukulele. You can also live out all your bedroom Jimi Hendrix fantasies, and wail on it through a multitude of effects. Pete Howlett is not a full time luthier, so you may have to wait a while when ordering an electric uke, but it is most definitely worth the wait.

BSY
Nipper

Monday, 27 August 2007

Beer and Ukuleles

There’s almost nothing better than sinking a fine real ale and strumming a fine ukulele. I spend much time in the pursuit of great ukuleles and the best beer to drink whilst strumming them. So here are some of my top beer and ukulele recommendations; the beers have been matched with each ukulele to reflect the characteristics of the instrument.

Tastes: The finest beer is cask conditioned and found on draught in pubs near to where it has been brewed. If you don’t have the opportunity to travel around a variety of pubs to find this beer the next best thing is to drink the bottled versions of the beers; here I have chosen bottled beers easily available in the UK.

Sounds: Sound samples of the ukuleles have been recorded using a Samson condenser mic straight into Cubase through an M-Audio mobile pre. I have not added any effects or EQ: everything is as recorded. All the ukes are strung with Aquila nylgut strings.


To kick things off here are two classic beers and a classic ukulele. Adnam’s ‘Broadside’ and Theakston’s ‘Old Peculiar’ are both dark full flavoured beers. Both have a good malty taste, with the ‘Broadside’ also delivering a hint of spice. This is a great match for the Martin Style 0, the workhorse of the ukulele world. Warm and dark and with great tone, every uke player should have one. It is effortless to play and strums just flow from the fret board. There is something about the sound of a ukulele that has been played in for 50+ years, it is often described as mojo, that indescribable something that marks out a ukulele with a great sound. The Martin Style O seems to always give the mojo sound, perhaps it was the great craftsmen in Nazareth Pa. who just knew what to do. However it was achieved, the fact is old Martin’s just deliver. In the same way, drinking a pint of ‘Broadside’ or ‘Old Peculiar’ never disappoints and you always think, yes, this is what good beer is all about.



Kevin Crossett is setting new standards in what makes a modern classic ukulele. He combines modern building techniques with classic styling and creates a ukulele that looks the part. The really exciting thing is that his ukuleles also sound the part delivering an even, full sound that is complex and satisfying. I have matched the Kepasa ‘Hollywood’ concert with two of the best Amber Ales around. The Hall and Woodhouse Badger ‘First Gold’ is refreshing and easy to drink, but with plenty of complex hoppy flavours to enjoy. The Badger ‘Golden Glory’ explodes with the smell and taste of peaches; it is a modern beer but has a bitter sweet taste that is extremely captivating. Badger beers combine the best of old and new and the ‘Hollywood’ does just the same. It has a modern build but is in touch with it’s Hawaiian roots; it has a fresh, bright tone but with plenty of the complexity you would normally only expect from a vintage instrument.



I have recently played in some Appalachian music sessions and sat in with a jazz quartet. To be heard in these situations I have been playing an Ashbury Resonator ukulele. The uke has had cone and tuner upgrades and is loud, punchy and a little brash. I have matched it up with some local beers from the Cotleigh brewery in Wiveliscombe. These are great session beers not subtle but full flavoured and extremely drinkable. The ‘Barn Owl’ is a great bitter, smooth and malty with a classic bitter aftertaste. The ‘Buzzard’ is strong and dark, with a fruity bitterness. I should also mention that the reso uke has been seeing plenty of action at TUSC, where I drink Cotleigh ‘25’ on draught. If you’re looking for an impressively quaffable beer, which sits well in a session, then Cotleigh is where it’s at; this matches the best attribute of the reso, playing out in a loud and raucous session.

Click here to listen to a sound clip of the Ashbury Resonator Ukulele



If I’m relaxing on a sunny afternoon then the ukulele of choice is the Joel Eckhaus 1k soprano. The beers to drink with this ukulele are the Devon based, Otter brewery’s ‘Beautiful Daze’ and ‘Otter Bright’. Like the uke the beers are clean and refreshin g, good hoppy tastes and full of flavour. Their amber colour is a great match for the beautiful Koa Joel has used on the 1K. Joel is a master at building ukuleles, they are not fancy but don’t be mistaken, his ukes show exacting attention to detail, and fit and finish is second to none. The ukulele is a dream to play having a wonderful dynamic and a rich pure tone. When you drive it the koa gives that distinctive edge to the sound. The uke can be strummed or finger picked and is the lead ukulele on the ‘Ukecast’ theme. Otter beers are even better on draught and a beer I will travel some distance to drink. When hand pumped the ‘Otter Bright’ explodes with fruity hoppy flavours reminiscent of fresh grass. These are some of my favourite beers and the 1k is amongst the best ukuleles I have ever played.

The Nipper soprano is very special to me, having been made for me by the ‘Mighty’ John Colter. It has a bright expressive tone and is so smooth and easy to play. It has volume in spades and really cuts through making it an excellent ensemble ukulele. I have decided to pair it with Fentimans Ginger Beer, without a doubt the world’s finest ginger beer. It is a loud beer with massive helpings of fiery ginger taste; however it is surprisingly cool in the after taste and a most refreshing drink. Fentimans Ginger beer is one of John’s favourite drinks, he discovered it after I presented him with a bottle when he delivered the Nipper to me. So Fentimans and the Nipper will always be linked. For those of you liking a kick with your drinks it makes the perfect accompaniment to whiskey. For those of you wanting a very

special ukulele that never disappoints, buy John a few crates of FGB and ask him very nicely.

Kamaka ukuleles are a classic Hawaiian brand produced since 1916. The uke shown here is a Kamaka Gold Label soprano made some time in the late 1950s. As this ukulele was made in the birth place of the instrument, I have chosen beers which are made close to my birth place in Somerset. The RCH brewery ‘Pitchfork’ commemorates the pitchfork rebellion of 1685. It has a great full flavour, hoppy and fruity, and is roughly made, like the Kamaka. The Cheddar Ales ‘Potholer’ has a wonderfully complex citrus flavour and leaves you wanting more. Both these beers come with yeast in the bottle to give a secondary fermentation and so pack a flavoursome punch for bottled beers. The Kamaka needs to be driven hard to get the best tone, which is full and woody. The sound of the Kamaka is pure Hawaiian mojo that can only come from old wood.

Click here to listen to a sound clip of the Kamaka Gold Label Soprano



I have really been enjoying drinking Brakspear ‘Triple’ a triple fermented beer that comes in a numbered bottle. It has a high ABV at 7.2% and with rich, warm, honey flavours, it is a real late night tipple. This is a bottle only beer and quite unlike any others discussed so far. So what ukulele to pair with this unusual beer? I decided on the mahogany Brueko slimline soprano, like the beer this is an unusual ukulele being half the depth in the body of a standard ukulele. This does not hamper the sound which is tight and focused with a reasonable volume. I like this ukulele and play it when teaching as it rings out over the fuller tones found with standard ukuleles. The thing is this uke can also sound great for a little soft late night finger picking which leads to a sudden ‘tin pan alley’ thrash. That is the experience of ‘Triple’, you begin gently savouring the richness of the beer and after a couple realise you’re totally ‘gone’ and only fit to drunkenly dance and sing like Eddie Cantor in a Broadway show.

Click here to listen to a sound clip of the Brueko Slimline soprano



So after drinking all this beer and strumming all those ukes my mind began to get a little fuzzy and realised the last instrument in this journey was not actually a ukulele. The last beer is a fearsome pirate brew from Cornwall called ‘Cornish Buccaneer’, and the instrument a Hohner soprano melodica, both go well with ukuleles but I’m now so drunk I can’t see the wood for the plastic…….

“Drink more beer, play more ukuleles”

BSY

Nipper

Tuesday, 21 August 2007

A Murderous Ellipse

Craig Robertson, song writer extraordinare, regularly posts demos of new songs he has just written. One which really caught my ear was 'Nicotine', so much so that I played it for Mrs Nipper. Those of you who know the great Mrs N. will be aware that she has an acute ear for any sort of ambiguity and found a great one in the song. Craig when singing about finding his deseased father's lighter sings;

"........I found it when he died in his front desk drawer"

Well this got the brain cells working and Mrs Nipper came up with a song lyric in response, I tweaked it and added a Craig Robertson style melody. I then recorded a demo featuring voice, Eckhaus 1K soprano Ukulele, bass, melodica and slide guitar. It's a little rough around the edges but it seems to work.

I sent the song to Craig and he was tickled by the "goofy, murderous ellipse", so here are both songs for your enjoyment.

Click here to listen to 'Nicotine' by Craig Robertson

Click here to listen to 'Poor Pa' by Nipper and Moogly Moo


My apologies to anyone with a father who is only 4 inchs tall and has recently had a fatal accident with a piece of office equipment.

BSY
Nipper

The Acme 'Midget Stapler'1937

Friday, 17 August 2007

Ukulele on Holiday

A few days ago I recived an email from Sophisoph and her dad; they took the TUSC ukulele song book 4 with them on holiday to Devon. On their return Sophie (aged 12) and dad (aged 53) recorded their version of 'Smile'........ Sophie sings it with great style and character, so get over to her My Space page and check it out.