'Ukulele Lady', 'Israelites', 'That's Alright Mama', 'Spider Pig'
We rounded off the weeked with a barrel of Cotleigh 25 and some more strumming at Steve and Allison's house. The end to a perfect ukulele weekend.
Nipper



In the last couple of weeks Mrs Nipper and I have both become the proud owners of bespoke hand built ukuleles. They could not be more different from each other and so this really is a tale of two ukuleles.
The headstock has an interesting asymmetric tuning peg arrangement and a design straight from the work table of Dias. The tuners are black and white, as requested by Mrs Nipper, to compliment the rope binding. As you would expect from Kevin the fit and finish is absolutely tip top and demonstrates he is a world class luthier. His ukuleles certainly hold their own with those made by the likes of Dave Means and Joel Eckhaus.
The 'Madeira' is a very playable ukulele and the slim neck sits easily in the hand. Kevin will shape a neck to suit the client and in this case has made a ukulele which is a perfect fit for Mrs Nipper's delicate hands. Despite this it still feels great to play in my much larger hands; again this is down to Kevin's great skill as a luthier. The way the tuners sit leaves plenty of room for the fretting hand and is exactly what Mrs Nipper asked for when ordering this ukulele. The action has been set to allow height to dig in and suits both strumming and finger picking styles. The lightness of the build and slim body make this a ukulele that is easy to hold and comfortable to strum.
As you would expect with a spruce top the 'Madeira' sounded superb right out of the box, a warm, full tone and a nice punch when pushed. The tone is very focused and even; with the short sustain you expect from a soprano. Mrs Nipper can not put this uke down and I have had to wrestle it from her just to get a few minutes playing. This is because the ukulele sounds so good, gently strumming brings forth a beautifully crisp tone which nicely complements singing; push and there is plenty of dynamic and the sound finds a little more bite. When finger picked the tone is full and even with plenty of volume.
So I have written a completely glowing review, surely there must be something, just a tiny hint of criticism to make about this ukulele; well there isn't! I can honestly find no faults with it. This is without doubt an outstanding instrument. It is a joy to look at, play and listen too. The Kepasa 'Maderia' is one of the best ukuleles I have ever played.
And now for something completely different........ The 'Ukelectric'. This ukulele is from the first batch of electric concert ukuleles made by Pete Howlett of UK-Ukes. Unlike the 'Madeira' which was created for Mrs Nipper, I only had to choose the top wood and head plate for this ukulele. In fact as the uke will eventually be painted Pete choose the Madrone wood for the top and when I asked for something unusual for the head plate, he went with beautiful burr walnut. The result, even before painting, is a good looking ukulele.
The 'Ukelectric' is constructed like a drop top electric guitar with a solid cedar body, hollowed out to form sound chambers and then a solid top glued in place. Pete has then followed ukulele tradition with a pin bridge and Gibson style headstock. These ukuleles are very competitively priced and so there is no choice about set up or neck profile, but I wasn't disappointed, Pete is a master craftsman and the uke feels great in the hand. Pete must also feel the same way about action as I do, as it is perfect for me!
The fit and finish is incredible for the price, far and away better than you would ever expect. The wood is great and the whole thing sturdy and ready to gig with. The ukulele is surprisingly light for it's solid construction and I was able to play it easily without a strap. The hardware is gold and looks great, however the tuners are grover style copies and not quite as good as the real thing, I would have been happy to pay a few pounds more and get some 'sta-tites'. The position of the lead socket is such that if you want to play in a sitting position you will need a right angle lead, however with a strap or playing standing up there isn't an issue, and I prefer this socket position to the end pin design most often used.
One reason I bought the 'Ukelectric' was to practise late at night without disturbing the family, and for this it is great. It has a quiet acoustic sound which is still loud enough for late night, solo, practicing and is much louder than the Risa 'Ukestick' or 'Ellie'. However this uke was meant to be plugged in and when fed into an amp, it does not disappoint. I tryed it through a number of amps and got a reasonably convicing acoustic tone from my PA and a Boss AD5 acoustic preamp, however you cannot escape that this is an under saddle pickup and so it will never sound like a microphone on an acoustic uke. With this in mind I decided to forget trying to get acoustic tone and concentrate on getting an electric sound that would blend well with other instruments and still work in a solo situation. The uke gives a fairly even response across the strings and sounded good with all the amps I tried, so partly because of the online advice of Gerald Ross and mostly because it runs on batteries, I went for a battery powered Vox DA5. The pairing is good and the amp/uke worked well at TUSC and during a club gig, sounding good with both clean tones and auto wah effect. I like the freedom of battery power but with the 'Ukelectric' a mini amp, except as a headphone pre, is out of the question; with both the Orange Micro Crush and the Mini Marshall the sound is awful and distorts at the lowest volume. The Vox DA5 has five watts of power and a big enough speaker to give clean tones at a reasonable volume. Other than a lack of multiband eq, it is a good companion to Pete's creation.
Tastes: The finest beer is cask conditioned and found on draught in pubs near to where it has been brewed. If you don’t have the opportunity to travel around a variety of pubs to find this beer the next best thing is to drink the bottled versions of the beers; here I have chosen bottled beers easily available in the
Sounds: Sound samples of the ukuleles have been recorded using a Samson condenser mic straight into Cubase through an M-Audio mobile pre. I have not added any effects or EQ: everything is as recorded. All the ukes are strung with
To kick things off here are two classic beers and a classic ukulele. Adnam’s ‘Broadside’ and Theakston’s ‘Old Peculiar’ are both dark full flavoured beers. Both have a good malty taste, with the ‘Broadside’ also delivering a hint of spice. This is a great match for the Martin Style 0, the workhorse of the ukulele world. Warm and dark and with great tone, every uke player should have one. It is effortless to play and strums just flow from the fret board. There is something about the sound of a ukulele that has been played in for 50+ years, it is often described as mojo, that indescribable something that marks out a ukulele with a great sound. The Martin Style O seems to always give the mojo sound, perhaps it was the great craftsmen in
Kevin Crossett is setting new standards in what makes a modern classic ukulele. He combines modern building techniques with classic styling and creates a ukulele that looks the part. The really exciting thing is that his ukuleles also sound the part delivering an even, full sound that is complex and satisfying. I have matched the Kepasa ‘
I have recently played in some Appalachian music sessions and sat in with a jazz quartet. To be heard in these situations I have been playing an Ashbury Resonator ukulele. The uke has had cone and tuner upgrades and is loud, punchy and a little brash. I have matched it up with some local beers from the Cotleigh brewery in Wiveliscombe. These are great session beers not subtle but full flavoured and extremely drinkable. The ‘Barn Owl’ is a great bitter, smooth and malty with a classic bitter aftertaste. The ‘Buzzard’ is strong and dark, with a fruity bitterness. I should also mention that the reso uke has been seeing plenty of action at TUSC, where I drink Cotleigh ‘25’ on draught. If you’re looking for an impressively quaffable beer, which sits well in a session, then Cotleigh is where it’s at; this matches the best attribute of the reso, playing out in a loud and raucous session.
Click here to listen to a sound clip of the Ashbury Resonator Ukulele

The Nipper soprano is very special to me, having been made for me by the ‘Mighty’ John Colter. It has a bright expressive tone and is so smooth and easy to play. It has volume in spades and really cuts through making it an excellent ensemble ukulele. I have decided to pair it with Fentimans Ginger Beer, without a doubt the world’s finest ginger beer. It is a loud beer with massive helpings of fiery ginger taste; however it is surprisingly cool in the after taste and a most refreshing drink. Fentimans Ginger beer is one of John’s favourite drinks, he discovered it after I presented him with a bottle when he delivered the Nipper to me. So Fentimans and the Nipper will always be linked. For those of you liking a kick with your drinks it makes the perfect accompaniment to whiskey. For those of you wanting a very special ukulele that never disappoints, buy John a few crates of FGB and ask him very nicely.
Kamaka ukuleles are a classic Hawaiian brand produced since 1916. The uke shown here is a Kamaka Gold Label soprano made some time in the late 1950s. As this ukulele was made in the birth place of the instrument, I have chosen beers which are made close to my birth place in
Click here to listen to a sound clip of the Kamaka Gold Label Soprano

I have really been enjoying drinking Brakspear ‘Triple’ a triple fermented beer that comes in a numbered bottle. It has a high ABV at 7.2% and with rich, warm, honey flavours, it is a real late night tipple. This is a bottle only beer and quite unlike any others discussed so far. So what ukulele to pair with this unusual beer? I decided on the mahogany Brueko slimline soprano, like the beer this is an unusual ukulele being half the depth in the body of a standard ukulele. This does not hamper the sound which is tight and focused with a reasonable volume. I like this ukulele and play it when teaching as it rings out over the fuller tones found with standard ukuleles. The thing is this uke can also sound great for a little soft late night finger picking which leads to a sudden ‘tin pan alley’ thrash. That is the experience of ‘Triple’, you begin gently savouring the richness of the beer and after a couple realise you’re totally ‘gone’ and only fit to drunkenly dance and sing like Eddie Cantor in a Broadway show.
Click here to listen to a sound clip of the Brueko Slimline soprano
So after drinking all this beer and strumming all those ukes my mind began to get a little fuzzy and realised the last instrument in this journey was not actually a ukulele. The last beer is a fearsome pirate brew from Cornwall called ‘Cornish Buccaneer’, and the instrument a Hohner soprano melodica, both go well with ukuleles but I’m now so drunk I can’t see the wood for the plastic…….
“Drink more beer, play more ukuleles”
BSY
Craig Robertson, song writer extraordinare, regularly posts demos of new songs he has just written. One which really caught my ear was 'Nicotine', so much so that I played it for Mrs Nipper. Those of you who know the great Mrs N. will be aware that she has an acute ear for any sort of ambiguity and found a great one in the song. Craig when singing about finding his deseased father's lighter sings;
A few days ago I recived an email from Sophisoph and her dad; they took the TUSC ukulele song book 4 with them on holiday to Devon. On their return Sophie (aged 12) and dad (aged 53) recorded their version of 'Smile'........ Sophie sings it with great style and character, so get over to her My Space page and check it out.